…and the quilt frame

BOM quilt on frame

This project was put on hold indefinitely for a few reasons.  In the meantime, smaller projects have been finished on the frame and the problems/reasons for not working on this beast have been resolved.  Namely, there is now space for the frame with this over-size quilt on it and I have learned to discipline myself to no more than one hour of hand quilting per day to avoid repetitive stress injuries.

What a happy surprise when I uncovered this quilt I hadn’t seen in ages.  Why, it’s lovely!  This project began as a case of “careful what you wish for.”  Rarely do I win anything in a lottery-style drawing, but I had my heart set on winning these Block-of-the-Month entries back when I was a card-carrying member of our local quilt guild, Country Crossroads Quilters.  It was an unusual project in that everyone had a small piece of the same theme fabric and each quilter was to add companion fabrics and use a block design of her own choosing.  Those of you familiar with these types of activities know that generally participants are given a general color scheme and/or one theme fabric and a designated block design.  So the winner gets a number of blocks that generally coordinate color-wise and are all the same design and she sews them together and has an instant quilt top.  That’s the general theory.

Giving people carte blanche on the design of the blocks made for an interesting assortment and giving a theme fabric with so many colors meant that there wasn’t even really a consistent color theme as some quilters opted to bring out the Christmas theme of the fabric and others opted to showcase the purple.

So for once in my life, I did win the drawing.  It may have been rigged by my friends in the group who knew I wanted these blocks and knew I had been a faithful participant in the Block of the Month project for ages and had never won the blocks whilst some had won multiple times or worse, some had won the single time they threw a block in the mix.  Or, it may have been the universe out to teach me that careful what you wish for lesson.  Either way, I “won” the oddest assortment of blocks.  In the end, there were only 13 that were really useable.  Yes, 13.  Hmmm.  So I took the 5 that went together the best (accent on Christmas, no additional purple) and made a medallion out of those, which you can see in the middle of the photo above.  I confess I did add the Celtic Applique myself to the otherwise perfectly serviceable 9-patch block that just needed a bit of a lift and a shift of scale to be placed center front and play well with the rest of the Christmas themed blocks that had lots of white.  The rest of the blocks were used “as is.”  There were a few more that would not play well with the group no matter how I tried to make them settle in.  I waited to set these blocks until the makers of the unused ones were no longer around to see that their blocks were not included.  That took a while.  And the quilting has taken even longer.  Because of the medallion setting, the quilt got huge.  It’s the largest I’ve ever made.  Also because of the medallion setting, there is a lot of design space that cried out for hand quilting, although in retrospect, sending this off for custom machine quilting probably would have been the wiser choice. (Close-up below showing the block I contributed and some of the designs I adapted.)  I am determined to finish this before my hands and/or eyes fail me.  I’m currently more than half-way and it’s only taken me 15 years or so.  And when I’m done I’ll have a HUGE Christmas themed quilt.  But it will be gorgeous.

BOM quilt close-up

Post and Toss

Or, this why I don’t do sculpture.  Or, why moving is good, bad and ugly.

Sawdust cow

 

This little cow was my first attempt at sculpture in at the tender age of 6.  I remember this being an assignment in first grade and that the sculpting medium was starch and sawdust.  Can that be right?  I also remember my poor little hands cracked and bled from working with the stuff.  How we suffer for our art.

Why my mother saved it and gave it back to me 30 years later is a mystery.  Why I kept it for 20 more years is an even greater mystery.  I assure you it is now where it belongs, in the trash.  Why the cow has a dark shadow on it’s back is not a mystery.  I believed at the time that was what the teacher wanted us to do.  It had something to do with shadows from the sun.  I think I got it backwards and we were supposed to shade the under side of the cows darker because the sun came from above.  Perhaps I was fascinated with the hairs growing out of the teacher’s chin and missed the point of the dark shadows lecture.  Who can say?  I do think it serves well as a reminder that 3-d art is not my strong suit and that letting go of things is healthy.  Letting go of things is healthy.  Letting go of things is healthy.

Oh, did I mention that I moved???  And that’s what I’ve been doing for the past several months?  It’s good to be back.

Stash-busting SWAP

Stash-busting SWAP

 

The fabric stash is getting out of hand.  So there was this red linen and I was wanting crops for summer and had signed up for Sandra Betzina’s Craftsy class on pants fitting.  Now we have a pair of red linen crop pants that fit (thanks, Sandra) and only one or two plain white tops that go with.  Hmm.  What about this polka dot knit I picked up at Britex a few years back, just because I was in a polka dot mood that day?  Okay, that’s 2 fabrics out of my stash and one very wearable summer outfit in the closet.  Now I’m on a roll so I go back to the stash to see how many fabrics there are that could conceivably be worn with the red linen pants. They must include some red just because I say so.  My stash, my stash-busting mood, my rules.  I found 5 possibles.

I think I’ll sew up the plaid shirting next using New Look 6010. View C with the bias bib.  Then let’s see if I’m still wanting to stay with this group or move on to something else.

The pants above are Vogue 2948, which is discontinued but if you sign up for the Craftsy class, you get a copy mailed to you.  Arguably, it’s worth taking the class just to get this pattern.  Sandra says it’s the best pants pattern she ever drafted and I believe her.  It fit me pretty much out of the envelope in the size I measured.  All I had to do was take in the waist and remove excess from the hip to the top of the pant to make the smaller waist fit there.  The top is Vogue 8669 for knits.  I have made this pattern before.  It’s a nice draped neck that stays put and isn’t too low.  It’s on the way to becoming a T & T top as long as draped cowl necks are in style.  When they’re out they’re OUT, but they are still feeling fresh to me so I’ll probably make a few more of these.

I’m off to cut that plaid shirt.  I might have it ready by the middle or end of next week if I’m diligent.  It’s got buttons and buttonholes and interfacing.  Little one or two hour knit tops and dresses have gotten me spoiled!  This is actual shirt construction…it’s been a while.

 

Real Armenian Rice Pilaf

Now we are getting to the nitty-gritty.  This is the classic.  More than just a side dish, Rice Pilaf is King of Armenian Cuisine.  No holiday meal is complete without it, but it also graces the table year ’round and serves as the ballast for all kinds of daily meals.  It’s quick to make and never fails to satisfy.

The Recipe:

  • 1 cup very fine vermicelli, broken into small pieces, or if you like, Orzo.  I buy imported very fine vermicelli already cut to the proper size at a Mediterranean Market.  You can also use Golden Grain Angel Hair Cappellini, which comes in tight coils and you crush it with your hands until the pieces are a uniform size, each around 1/2 inch in length.  
  • 1 cup long grain white rice.  I SO dislike the flavor and texture of Uncle Ben’s Converted Rice that I call it perverted rice, but some Armenians use it exclusively for their pilaf.  If you like it and want to use it in my recipe, just don’t tell me, please.
  • 1/2 cube of butter, which equals 1/4 cup.  I said BUTTER.  Salted.  That being said, a friend has used olive oil and says it’s good.  Feel free to experiment.
  • 1 can of Swanson’s Chicken Broth, 14.5 oz. size.  I’ve heard of people using Beef Consomme, Vegetable Broth for vegetarians or even all water, but the classic is the Swanson’s Chicken Broth/water combination.
  • 1 cup water
  • 1 teaspoon salt

It’s best for amateurs to stage these ingredients prior to starting the rice.  I do this myself when I am making this rice for special occasions and there will be distractions in the kitchen or when making larger batches.  The process moves quickly and requires constant attention to stirring and the quick addition of ingredients at the proper time so there really isn’t time to find and measure out things once you get started.  If everything is already measured out and the can of broth is opened and all is ready to go, you will be much happier.  Trust me on this.

Here we go:  Melt the butter in a 3-4 quart saucepan over high, stirring constantly with a large spoon so it will not burn.  As soon as the butter is melted, add the vermicelli and keep stirring like mad over high heat until it is evenly browned and it looks like this:

browning vermicelliThe butter is now very dark brown and possibly even starting to smoke, but not burned yet.  This is where the distinct flavor comes from.  Be fearless and bold.  Take it to the limit but don’t allow it to burn.  When browned perfection has been achieved, quickly throw in the rice and keep up the stirring like mad to coat each grain of rice with butter.  You can briefly remove the pan from the heat while you are adding and stirring in the rice but as soon as all grains are coated and stirred in, return to the heat and pour in the broth, water and salt, as quickly as you can.  Give it one quick stir or gentle shake to make sure the liquid reaches everywhere within the pot and bring to a full boil.  Cover and reduce heat to simmer immediately.  Leave at the simmer for 25-35 minutes.  This stage can be stretched a bit to accommodate the rest of the meal.  The rice will stay hot and be fine.  You can turn off the heat after the 25 minutes are up and just let it sit but don’t open the lid or stir until you are ready to serve:

rice pilafDo you see how the grains of rice open up and accept some of the lovely brownness (and therefore flavor) from the vermicelli and how the vermicelli swells and releases some of its color?  If you have not browned the vermicelli enough, your rice will be pale, although still delicious.  This recipe serves 6 easily.

You can double the recipe for larger groups and proceed without concern, but if you go above 2 cups of rice, you will want to pre-heat the liquids or they will not come to a boil quickly enough and the rice won’t come out right.  You also have to make sure you have a pot large enough to accommodate the expansion of the rice.  I have done the math and method for large batches and can go as far as 6 cups of rice/vermicelli and when I make that much, I weigh out the dry ingredients rather than using measuring cups to prevent additive measuring errors and I add 1 tablespoon of lemon juice with the liquids to keep the rice from getting sticky.  Beyond THAT you need a restaurant kitchen and the strength to stir all that vermicelli without burning it or yourself and to pour large quantities of boiling liquids from one very large pot to another without mishap.  It’s harder than you might guess.  I make my 6-cup version in a 12 quart All-Clad Stockpot.

 

 

 

Keeping score

Most of the time, keeping score makes life miserable since scores beg to be settled eventually, but in baseball, keeping score is the best way to enjoy the game. Never go to a ballpark without your scorebook!

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Puppy Love Scrubs

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Long ago I decided I would never “take in sewing” for money. This has allowed me though the years to take on only projects I want to do for people I care about and is no doubt why I still like to sew.

Here’s a fun example: a scrub top for someone dear to me who works in a veterinary clinic and has to wear scrubs every day.

There are so many cute animal fabrics to choose from it was hard to decide, but this one was sui generis, my phrase of the week, lifted from a biography of Winslow Homer.

How many times will I have to use it to cement it in my vocabulary? Sui generis: peerless, without equal, just like the recipient of the scrubs, in fact!

Hammered!

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Many times I’ve seen references to the technique of hammering with a regular carpenter’s hammer on bulky seams that threaten to put your sewing machine in a bind if you try to sew over them, typically in pants/jeans hems. Since the only hammer in my possession was an ancient, rusty and not very trusty hammer (loose head), I had never tried it. Also, I was not convinced it would help much.

Well, count me among the hammer crowd now! Thanks to Angela Wolf’s Craftsy class on Alterations, and the recent acquisition of a clean bookbinding hammer that promises to remain clean, I tried hammering the bulky seam of these softball pants I was altering for a friend. After lots of very empowering whacking at the seams, the cover stitch machine cruised right over those seams! Thanks Angela!