Goodbye Fever, Hello Covid Arm

File this under “It’s Always Something.”  This one is not too bad, just unexpected.  It turns out that you can have a delayed reaction to the Covid vaccine that causes this itchy red rash at the site of the jab.  Well that actually seems like something you’d expect to happen after a vaccination, but right away, within the first 24 hours. What’s unexpected about this one is that it develops later rather than immediately.  So just when you’re feeling better from the systemic effects of the vaccine and are expecting the usual post-vaccine soreness in your arm to be getting better as well, you suddenly feel like it’s getting a little worse instead of better and it’s red, hot and itchy too.  It can last for a while.  They call it Covid Arm, of course, and just Google it for all the information anyone could want about the condition, but I’ve already done that and the bottom line as far as I can see is that it’s harmless and might actually be a good sign that your immune system is working quite well in response to the vaccine.

Well this time the fever and body aches were mild and only lasted 24 hours, so I will happily trade the 3 days’ worth of fever spiking at times up to 102 degrees that I had after my last Moderna shot for a milder, shorter fever episode and the later-arriving hot, red spot on my arm that may hang around for a while I got from this Pfizer shot…assuming it doesn’t get worse…  

Pass the lollipops, please

Who remembers getting a lollipop at the doctor’s office after getting a shot?  Well I just got my Covid and RSV inoculations this morning and all I got was an opportunity to stroll the aisles and spend money in Walgreen’s while I waited the requisite 10-15 minutes to make sure I wasn’t going to pass out or go into anaphylactic shock from the vaccine.  I did buy a few things while not passing out and now I think I’ll have a little nap while my body decides whether it’s going to make me really sick over this, or just a little uncomfortable.  Prepared for the former, hoping for the latter.  I never really liked lollipops anyway.  Here’s a much better reward:

Gourdapalooza

Thought I’d plant a few gourd seeds and see what would happen.  This happened.  These beauties are ripe for sketching.  I especially like the Daisy variety, but each one has its own appeal, even the dumpy, warty white ones.  Do you see the lone little orange pumpkin and 2 little white ones hiding in there?  I also planted some smaller varieties of pumpkin this year but they didn’t perform as well as the gourds, sadly. I think the cucumber beetles and the odd early summer weather had something to do with it.  The choice of shirt was purely accidental.  I wasn’t planning to look like a large gourd standing there in the background, but that also happened.  Life is funny that way.

Kufta – for the record

Kufta is an Armenian specialty dish that you really must learn to make at the elbow of someone who knows how, but if you do know how and are just not sure about ingredient quantities, here’s my most recent method:

Make the filling balls a few days ahead and freeze.

Filling:

  • 1 lb. ground lamb
  • 4-6 yellow onions (enough to fill my largest skillet), chopped into approximately 1/2″ size pieces in Cuisinart.  Be very careful not to over process the onions.  They need to be chopped, not macerated.
  • 3 cubes butter, 4 if the lamb is very lean.
  • 1/2 tsp salt.
  • Dried Basil–to taste, but at least 2 tablespoons

Melt the butter in a very large skillet and brown the lamb gently over medium heat in the butter, chopping it into every smaller pieces.  The best tool for this is a Chinese Wok Chuan/spatula/turner.  When the lamb is uniformly brown, stir in the onion.  The skillet should be completely full.  Begin cooking and stirring the meat and onions, reducing the heat as needed to prevent scorching of the onions.  Cook until the onions are greatly reduced in volume, transparent and no longer sending off much steam.  As you stir this filling, use the Wok Chuan to cut pieces of onion that are too large if you find any.  You cannot walk away from Kufta filling.  It takes well over an hour of constant stirring for the filling to reach the right consistency because you cannot allow it to brown.  Once you are satisfied that the onions are cooked down as far as they will go before disintegrating, add the basil and salt to taste.  Stir this thoroughly off the heat and place in a dish with a tight fitting lid and allow to cool a bit before covering and placing in the refrigerator overnight.  The next day, form the inner filling balls and place them on a wax-paper covered cookie sheet(s).  Cover gently with waxed paper and then with foil, sealing well.  Freeze these pre-made filling balls thoroughly.  Overnight is best.  They can hold in the freezer for a few days, but no more than a week or they will start to dry out and get freezer burn.

Keyma, or outer covering:

  • 3 lbs. leanest available ground beef, passed through the grinder a second time.  The butcher will complain about doing this but it makes ALL the difference.  He will tell you that the meat is already finely ground.  Just smile and ask him to please pass it through the grinder once again because you are making something special that requires the meat to be almost paste-like in its consistency.  If he tells you that you will lose some of your 3 pounds of beef to the grinder as it passes through, let him sell you a quarter pound extra.
  • 3/4 cup fine bulgur
  • 1 1/2 teaspoon salt
  • 1/3-1/2 cup water for mixing into the meat and more for dipping your hands while forming the meatballs

Mix all of this together very well, kneading in water as needed to achieve the proper texture of Keyma.  This cannot be described, it can only be shown.  You must knead the Keyma thoroughly and notice the way the texture changes as the bulgur absorbs water and the meat responds to the kneading.  If you’ve made kufta before, you can see and feel when the texture is right.  If you have not made kufta before, all I can say is that I hope you have a sweet Armenian grandma nearby to show you how to make it like I did.  Once the Keyma has achieved the proper texture, remove the frozen filling balls from the freezer and begin forming the Keyma in a consistent layer around the outer surface of the frozen filling balls.  Usually the ideal is to use a volume of Keyma approximately equal to the volume of the filling ball.  I form a flat patty in my hand, place the frozen filling on top and gently form the Keyma around the frozen filling.  A more traditional method is to form the Keyma into a ball and hollow out the center with the thumb of your opposite hand.  I have never been able to get this technique to work.  After you form the Keyma around the filling, use water to seal any edges together and smooth the surface of the Kufta.  Then place on another waxed paper-covered cookie sheet.  Work quickly as the frozen balls will begin to soften.  If they are frozen on more than one cookie sheet, only remove one sheet from the freezer at a time.  Having the filling balls made ahead and frozen makes the job of forming the Kufta much easier than the old method where the filling was only refrigerated and not frozen and you formed each filling ball as needed for each portion of Keyma.  That tip came from Ernie Darpinian via the Fresno Armenian Church Ladies.  The tip of using beef for the Keyma came from Laura Basmajian.

Is it a weed…

Or a plant?

Oxalis Triangularis

Well I’m constantly complaining about the oxalis growing in my yard where I don’t want it and it’s really hard to weed out. It’s truly a pesky little weed with nothing to recommend it beyond tenacity.

Oxalis the weed…Corniculata if you please.

But then I got this month’s sketchbook with a lovely sketch of Oxalis Stricta, or Common Wood Sorrel. well there is never anything common about the paintings of Ellen Blonder. Her lyrical sketch of the weedy sorrel growing wild in her environs inspired me to snag the oxalis above for my monthly sketch as I was strolling about the nursery looking for inspiration. Here are the 2 illustrations together and a closeup of mine in progress below that.

They come in droves

Cedar Waxwings

Some years they do, some years they don’t, but when they do it’s spectacular and kind of scary in a Tippi Hedron sort of way. You know what I mean if you’re of a certain age.

March Sketch

Spring has sprung!

Although you’d never know it from the weather lately. My plan was to use peach blossoms for my sketch this month and the blossoms were making me a bit nervous because they were not opening due to all the cold weather. Finally they did open but they immediately got battered by yet another storm. Still, I was able to find these sprigs and get them staged and photographed. Let the sketching begin.

But here’s something new. Because of the transitory nature of blossoms and the poem I wanted to include this month, I wanted to trace my sketch onto the paper. I often work this way, but rarely in journals. Surprise, this book has sketches on the other side of the paper, making tracing with my trusty light box a bit tricky.

Peekaboo! I see way more than I need to trace.
But I was able to get the essentials nailed down.

Many people seem to think it’s “cheating” to use any mechanical or optical aids to begin artwork. Tell that to Vermeer and all the other masters who used camera obscura to trace images on to canvases. What’s cheating is using someone else’s photos. I selected the subject, staged it how I wanted it and photographed it myself. So I own it start to finish.

Getting there…
Done!

Only April and May are left and then I will get my own book back. It will be like Christmas in June!

The Fix Is In

Or I should say on because I’ve just finished spraying this little journal entry with fixative.

I’ve had that same can of workable fixative since 1990-something and it’s still going strong since I don’t use it for most of my drawings that will be framed. But in journals that will be hauled around and handled, fixing graphite or colored pencil is essential or they will smear and/or imprint on the opposite page.

The subject of this drawing is an oak gall found on a local walk. Even folks who know about oak galls are usually not aware that there are so many different kinds. I’ve started a little series to document the ones I find. This one I call a brain gall. For obvious reasons. That’s not its real name, because I’m no expert on the 90+ different gall wasps endemic to California’s native oak population. I call them as I see them if I can’t find out the real name.

Graphite is a medium that always circles back around in my art practice as drawing has always been my first love and pencils are such familiar, reliable, predictable, accessible, controllable and correctable instruments that they are irresistible to me. Sure, everyone wants to paint and watercolors sparkle with personality, but the humble graphite pencil can really shine as an art tool.

Here is the development of the oak leaf:

It’s all about that gall, baby!
But the leaf it’s sitting on deserves some attention too.
I could keep going, refining the shading and tidying up, but I’m calling this a sketch and leaving it as is.

Here’s a snapshot of the stars of the show. I use these clutch pencils each loaded with 2mm leads of various hardness and a rotary pointer. These old line drafting tools are getting a little hard to find in the computer age, but they are my favorites from way back. I don’t get many comments here, but if anyone visits and asks for it, I’ll do a post dedicated to the tools and techniques I use for graphite drawings.

I’ll leave you with my other entry in the Oak Gall series, Red Cone Galls plus a few Silk Button Galls for good measure.

Next up, this month’s sketch for the Sketchbook Exchange Project, then I’ll come back for a few more varieties of galls. The Spiny Turban is a fun one.

To ink, or not to ink…

This month’s sketch was a response to the comments made at our recent Zoom meeting about artists not using this sketchbook exchange opportunity to experiment with tools, techniques, etc.

As with most of my sketches, I began with a rough pencil drawing which I then inked with an 005 micron pen. Then to add the color I used water soluble pencils. That’s the experimental part. I’ve used these pencils before, but not in quite this way and I like the result, especially on this cold press watercolor paper that doesn’t take straight colored pencil well because of the rough texture of the paper.

Now I’m just trying to decide if I should ink the lettering. I’m leaning toward not, to fit in with the rest of the artists in the book, although normally I would ink letters like this.

Below is a picture of the book to date. We only have 3 more illustrations to add: March, April and May, and then we look ahead to round 2. But everyone agreed a break would be nice so I’m thinking of starting the next one In January of 2024.

I can’t wait to get my book back at the end of May!

Minestrone, lots of it!

This is my most requested recipe.  I have codified it since my previous post and updated it since I had to double everything because you can’t get 8 oz. cans of Garbanzo and Kidney Beans anymore.  It makes enough to serve a very large crowd, or to freeze.  It freezes pretty well for a soup with potatoes in it, but when you reheat it, you have to make sure to keep stirring it as you reheat it or the tomato base will separate and be unsightly.  

 

Minestrone Soup

 

Base Ingredients:

1 onion, diced

1/4 c. olive oil

2 c. chopped celery

2-4 cloves garlic, chopped 

1 large can S&W ready-cut tomatoes (28 oz. size)

1 can tomato sauce (15 oz. size)

1 can garbanzo beans (15.5 oz. size), undrained 

1  can kidney beans(15.25 oz size), undrained 

Seasonings:

salt to taste (3-4 tsp.)

dash pepper

6 bay leaves

2 tsp. oregano

1 Tbsp. dried basil

The Secret Ingredient:

 1/2 cup barley

Vegetables:

2-3 chopped carrots

8-10 small red potatoes, chopped into 1/2 inch pieces

1 1/2-2 cups green beans, fresh, cut or broken into 1/2 inch pieces or frozen cut green beans

Greens:

1/2 of a head of finely shredded green cabbage, or spinach, or any other green you prefer.  I use 2 of the regular 10 oz bags of spinach from the grocery store or an equivalent amount from Costco.

Pasta:

1 1-2 cup noodles of choice I prefer orrechiette or rotini 

 

The Method:

Sautè onion and celery in oil until soft and fragrant.  Add tomatoes, tomato sauce and canned beans, seasonings (I know that seems like a lot of salt, but it’s a LOT of soup; definitely adjust to your preference) and 4 quarts water and bring all to a boil.  Add barley and return to boil. Cover and simmer for approx. 1 hour.  Add chopped fresh vegetables (but not the greens yet!) and return to simmer. Cover and simmer soup until vegetables are thoroughly cooked, another 45 minutes.  Keep stirring periodically and adding water as needed during the cooking process.  15-20 mins. before serving soup, stir in spinach or other greens and return to simmer, then stir in raw pasta and cook at a slow boil until noodles are thoroughly done.  Stir and check frequently at this point as you may need to add water. Serve when noodles are cooked.  You can keep this soup on the back burner for quite a while and it just improves as the flavors meld.  This can resemble anything between a thick vegetable stew to a broth-based soup depending on the amount of water used.  You will also have to adjust the seasonings depending on the amount of water.  Keep in mind that the barley and the noodles will absorb water and salt like mad.  As you might guess, it’s even better the second day, reheated.

This is a good recipe to get 10 year-old boys (or vegephobes of any age really…) to eat their vegetables.  Especially if you offer it with freshly baked bread.  A little freshly grated Parmesan or Romano cheese on top doesn’t go amiss either.